Metallica, the American heavy metal band formed in 1981. They released their eleventh studio album titled “72 Seasons” on April 14, 2023. This released via their label Blackened Recordings. The album, produced by Greg Fidelman, who also produced their previous album “Hardwired… to Self-Destruct” in 2016, received mostly positive reviews from critics. While critics praised lead vocalist James Hetfield’s lyrics and vocal performance, they did criticize the album’s length. Here is Metallica 72 Seasons tab for full album.
Hetfield commented on the album’s title, stating that “72 Seasons” represents the first 18 years of a person’s life that shape their true or false selves. These years are often influenced by a person’s parents and can pigeonhole them into a certain personality type. However, as adults, it’s important to study and reflect on these core beliefs and how they affect our perception of the world.
The album debuted at number 2 on the Billboard 200 chart, with 146,000 copies sold in the first week, making it the band’s twelfth album to chart in the top 10. Overall, “72 Seasons” received generally favorable reviews from critics, with an average score of 76 out of 100 based on 20 reviews on Metacritic and a score of 7.3 out of 10 based on 18 reviews on AnyDecentMusic?.
Metallica 72 Seasons Tab
7:39 Minutes Long “72 Seasons” Is my most favorite from this album. This song written by James Hetfield, Lars Ulrich & Kirk Hammett.
The song “Wrath of Man” from Metallica’s album “72 Seasons” depicts the destructive power of anger and its ability to consume and control individuals. The lyrics describe the consequences of traumatic experiences and how they haunt people’s lives long after they occur. The phrase “72 seasons” suggests that the pain and anger associated with these experiences can last a lifetime.
The chorus, “Wrath of man, leaching through, split in two” describes the division and conflict that can result from unchecked anger. The lines “thriving upon, feeding on” suggest that some people become addicted to the rush of power and control that comes with expressing their anger.
The song’s imagery is dark and intense, describing the feeling of being trapped in a never-ending cycle of rage and pain. The lines “staring into black light” and “permanently midnight” suggest a sense of hopelessness and despair.
The lyrics of “Screaming Suicide” by Metallica describe the struggles of a person who is facing their inner demons and contemplating suicide. The song’s protagonist is plagued by negative thoughts and self-doubt, represented by the voice of suicide that speaks to them. The voice of suicide is depicted as a seductive, yet destructive force that is trying to convince the protagonist to end their life.
The song’s chorus, “Don’t ever speak my name, remember you’re to blame, keep me inside, my name is suicide,” highlights the importance of recognizing and addressing the negative thoughts that can lead to suicidal ideation. The song also emphasizes the need for support and connection, as the protagonist eventually finds hope and a lifeline through the voice that encourages them to keep going.
“Lux Aeterna” is a Latin term that translates to “eternal light.” The song appears to be about the power of music and its ability to bring people together, creating a sense of unity and shared experience. The lyrics suggest that music can help us overcome feelings of isolation and connect us with others who share our feelings and experiences. The song also seems to encourage listeners to embrace life and to live it to the fullest, without holding back or being afraid. The repeated refrain of “full speed or nothin'” suggests that we should approach life with a sense of urgency and passion, making the most of every moment.
The song “If Darkness Had a Son” by Metallica seems to be about the theme of temptation and its negative consequences. The lyrics describe the uncontrollable desire or craving that consumes the person. Who gives in to temptation, portrayed as a beast that yearns for more. The persona in the song acknowledges that they are succumbing to this temptation. And feels as though they are the “son” of darkness, with temptation as their father.
The lyrics also suggest that the temptation can lead to manipulation and subjugation, as the person becomes more and more consumed by it. The persona is aware of the negative impact that temptation is having on their life and seeks to resist it by asking for it to “leave me be.” The metaphor of “bathing in holy water” suggests a desire for purification and redemption.
Explore the world of progressive rock through epic compositions that span 10 minutes or more. Personally I like Long Prog Suites That Emphasize On Concept Driven Composition and Lyric, Musical Virtuosity And Experimantation. For Example 2112 By Rush or Octavairum By Dream Theater. Here i will Post A long List Of Long Duration Progressive Rock / Metal Songs.
“WE WANTED to be the band that never played the same riff twice;’ admits Protest The Hero guitarist Luke Hoskin. “In fact, we made a point of having 20 or 25 different sections all crammed into a four- or five-minute song, but now we appreciate the idea of quality openings and good transitions as well!”
Crowd-funded Canadian prog-punk metallers the Neil Peart seal of approval.
Hailing from Toronto, these progressive metallers may be young but they’ve been making music together for more than a decade. Self-proclaimed fans of Rush, TesseracT and Dream Theater, Protest The Hero found their way to progressive metal via punk, successfully merging it with power, black and symphonic metal. Their technical sounds have even made it onto Guitar Hero, where the nimble-fingered can have a go at Hoskin’s solos. Now they’re ready to release their ambitious fourth album, Volition, whicl1, according to the guitarist, was also their most stress-free as they played by their own rules. It was paid for by a crowd-funding campaign and recorded at Toronto’s Revolution Recording, following a glowing online testimonial from Rush’s Neil Peart.
“We set the bar really high. Even though you can get very similar sounds in your bedroom, we wanted to be traditional and do it in a studio, which is pretty expensive;’ Hoskin explains, adding that he especially liked the idea of recording so close to home. “We reached our $125,000 crowd-funding target in something like a day, which was terrifying when you consider we hadn’t even recorded the album yet. I know people will just assume that we spent the extra cash on going out and getting a bunch of lap dancers but we used it to buy back some of our masters, which was really cool. We found the perfect spot for all that money to benefit us in the long run!’
But it’s not all serious. Among the CD album and T-shirt bundles, they also offered fans the opportunity for a pizza party with the band and to appear on the album. In the end, a total of fot1r fans made guest appearances on the release, with additional contributions from WatchTower’s Ron Jarzombek, Lamb Of God and Jarzombek session drUlllffier Chris Adler, and Canadian folk musicianJadea Kelly.
People will assume we spent the extra cash raised on lap dancers. but we bought back some of our masters!••
With all those pledged pre-sales ready for despatch and a distribution deal with Spinefarm Records, Protest The Hero are concentrating on rehearsing for their forthcoming tour, which includes UK dates with TesseracT next year.
“We haven’t played as a band for about eight months, so it’s a scary time but it’s all coming together;’ says Hoskin. “Some of ot1r older songs have 25 parts and they all come in very quick succession so I’m really having to sit down carefully with them!’ Bt1t there’s another reason he’s playing such close attention to tl1e material, and that’s because he’s got some seriot1s competition from openers Intervals. “They’re quite young but awesome. Their guitarist is five years younger than me but he runs circles around my playing! Seriously, get there early and check those guys out!’ NRS
“Stand Tall” is a song written and performed by Canadian musician Burton Cummings. The chord progression in this song is very beautiful and few chord used in song that is not very common like C6 or D Augmented and G Augmented Chord. It was released as a single in 1976 and appeared on Cummings’ album “Dream of a Child”. The song was a hit in Canada, reaching number one on the RPM 100 national singles chart. The song is considered one of Cummings’ most popular and enduring songs. Today we will learn Stand Tall Chords.
“Stand Tall” is a ballad that deals with themes of self-empowerment and self-confidence. The song features Cummings’ powerful vocals and emotive delivery, as well as a strong piano and guitar-based arrangement.
Stand tall message of self-empowerment resonated with audiences, and helped to establish Cummings as a respected and influential artist and the song’s success helped to launch Cummings’ career in the 1970s, and he went on to become one of the most successful and respected musicians in Canada.
Chord Used in this song:
In this song, the chords used are G, Gaug, G6, G7, Cmaj7, Cm7, D, and C. The chord progression in the verses and chorus follows a pattern of ii-V-I in the key of G major also uses a lot of inversions, which give a different harmonic structure to the chords and add color to the overall sound.
Stand Tall Chords in verse G, Gaug, G6, G7, Cmaj7, Cm7, C/D and G Sus. The chords G, Gaug, G6, G7 are all diatonic chords within the key of G major. The G chord is the tonic chord. The chords Cmaj7, Cm7 are non-diatonic chords. The Cmaj7 chord is a IV chord in G major and the Cm7 is iv chord, they are added to create a sense of tension and dissonance. The chords G, C/D are used as a transition chord between different sections of the song. The C/D chord is a slash chord, where the letter on top of the slash indicates the root note of the chord (C), and the letter on the bottom indicates the bass note of the chord (D).
In this post we compiled list of great Randy Rhoads moments picked by some of the great musicians. Randy Rhoads was inpiration for lot of them.
Dimebag Darrell (Pantera / Damageplan) – Diary of a madman
“This song shows a bit of most everything Randy could do. He wrote in a similar dark, heavy-sounding vein as Tony lommi, but he was more versatile. Randy could mix classical playing with the demonic stuff. The guitar solo on this song sounds like it fell from the heavens’ I love how he multitracked his guitar to get a really wide sound. Rhoads was just a little dude who exuded classiness, from the way he played to the way he dressed. There’s no telling where guitar playing would be today ifhe were still with us.” (Originally printed in Guitar World, February 2005) !I
Zakk Wylde (Ozzy Osbourne / Black label Society) – Over The Mountain
“Man, I remember hearing this at the time with my friends, and we were all totally psyched. Eddie Van Halen was the only guy in· those days, and suddenly here was this Ozzy record with Randy Rhoads, and now we had two top guys. And their styles were mindblowing, but different. Eddie was just more fuckin’ insane and off-the-cuff-an incredible improviser-whereas with Randy it was about the songwriting and how he would write out and structure his solos.”
Mark Morton (Lamb of god) – Diary of madman
“Of all the killer Randy tracks, this is among the smartest. ln fact, it’s one of the more abstract, dissonant songs from that era. The chords and notes he chose to play literally sound deranged. lt’s actually uncomfortable to listen to because the chords are so atonal. I think that working and touring with Ozzy, Randy found himself in the middle of insanity, and it bled out of his instrument. Its magical!
Nick Hippa (As i lay dying) – Dee
”Randy will always be my favorite guitar player. When I was younger, this song made an impact on how I thought about music and approached the guitar. Here, Randy was embracing a style of music that was so far removed from what he was usually playing. It gave the sense that he was open to all forms and styles of music. I’ve always tried to pursue that goal. rather than be just a metal guitar player.”
Mick Thompson (Slipknot) – Goodbye To Romance
“I only like the ozzy albums with Randy on guitar. I really respect solos that are technically accomplished and say some thing, and the solo on ‘Goodbye to Romance’ is a great example of a lyrical guitar solo. It’s one of those leads that makes me cry-a composition within a composition.”
Jerry Cantrell (Alice in chains) – Tonight
“I’d pick this one for Randy’s guitar solo alone, which, in terms of emotive power, is in the same class as David Gilmour’s on’Comfortably Numb.’ This isn’t one of the harder rocking things he did, it’s almost a ballad in a way, though it definitely picks up in the choruses, which have some great chords. That solo is so sad yet beautiful, but it’s not completely down. In fact, it’s really uplifting.”
Jack Black (Tenacious D & Actor) – REVELATION (MOTHER EARTH)
“It starts off like a slow epic with songs and lyrics about ‘The Mother of all Creation I think we’re all going wrong.’ But then at the end it turns into this hard-rocking explosion, as Randy goes into this face-melting classical solo. Delicious.”
Jon Donais (Shadows Fall) – Mr Crowely
“It’s like the national anthem of guitar solos.”
I will add more randy rhoads moments later in this post..
We Compiled list of 25 Best albums of all time but based on Guitar Works, In Our Facebook Group we ran a poll and a total 1198 guitarist / users casted their Votes. So here are the list of 25 Best guitar albums of all time : )
The Jimi Hendrix Experience / Are you experienced (1967)
The most influential rock guitar album of all time. Taking his wild electric blues, dazzling improvisational skills, and inventive use of every guitar technique known to man (and a few more besides) – Hendrix revolutionized electric guitar playing. Overnight Hendrix became the undisputed master of the instrument. “Whether you know it or not – if you play guitar you’re influenced by Hendrix. Everyone needs this record. HIGHLIGHT: Love Or Confusion
2. Led Zeppelin / Led Zeppelin II (1969)
Fresh from the blues-based outing of Led Zep I, Jimmy Page raced ahead of the pack for this second album, taking electric guitar playing beyond its roots forever. Songs like Whole Lotta Love and Heartbreaker (with its infamous solo) inspired the guitarists who would go on to create hard rock and metal. Revered today by his clones such as John Squire, Page remains one of the most widely imitated rock guitarists of all time. HIGHLIGHT: Heartbreaker
3. Van Halen / Van Halen I (1978)
The most influential post-Hendrix guitarist took a custom-made Strat, a Marshall 100 watt Super lead, an MXR Flanger, and turned rock guitar on its head. Ain’t Talkin Bout Love saw Eddie and David Lee Roth at their best; rude, raucous, and defiantly musical. And in the space of 1 minute 42 seconds, Eddie’s solo showcase Eruption turned two-handed tapping and legato into the guitar techniques of the next decade. Brilliant. HIGHLIGHT: I’m The One
4. AC/DC / Back In Black (1980)
Brothers Malcolm and Angus Young traded guitar lines of such lean and majestic beauty on their 7th album that even- Keith Richards (who despises all contemporary bands) was impressed. Back In Black was also the comeback album after the death (by vomit, naturally) of original frontman Bon Scott. It deservedly sold 12 million copies in the US alone and spawned countless imitations. Influential, to say the least.HIGHLIGHT: Back in Black
5. The Smiths / Hatful of hollow (1984)
Supposedly a rag-bag collection of John Peel sessions and B-sides, Hatful Of Hollow remains the Smiths’ most powerful musical statement. The artistry of Johnny Marr”s guitar playing is still unmatched; with tunings, capos, overdubs, and elaborate arpeggio licks, he comes up with breathtakingly unique and brilliant sounds. Three years later, the band was no more, but Marr’s influence remains huge. HIGHLIGHT: William It Was Really Nothing
6. Pink Floyd / Dark Side Of The Moon (1973)
Dark Side sold 25 million copies and established Pink Floyd as the biggest rock act in the world. Even if you traveled to the yurts of nomadic Mongolian tribesmen, the long huts of New Guinea’s Mud Men, or the deepest darkest reaches of the Amazonian jungle, some bastard would whip it out at a party. Inescapable, but brilliant – it also contained some of Gilmour’s finest guitar work to date. HIGHLIGHT: Money
7. Stevie Ray Vaughan / Texas Flood (1983)
Exploding on to the scene with his contributions to Bowie’s Let’s Dance, Stevie Ray Vaughan gained wider recognition with “Texas Flood”. A volatile mix of Albert King and Jimi Hendrix, Stevie pulled electric blues screaming into the 80s’ with a unique passion and talent. As Buddy Guy said: “Stevie did for us what Muddy Waters did. He put the blues over, then he came back and got us.” HIGHLIGHT: Pride And Joy
8. John Mayall & The Bluesbreakers / Blues Breakers (Feat Eric Clapton) (1966)
When Clapton made his seemingly backward jump from the pop success of The Yardbirds to the Bluesbreakers, people were more than a little surprised. As soon as they heard the opening screech of his guitar on All Your Love, however,.they were sold. Follow that up with the bliste1ing Hideaway, and you can see what all the fuss was about. By the end of 1966, walls were daubed with ‘Clapton is ‘God’. This record is why. HIGHLIGHT: All Your Love
9. Neil Young / Everybody Knows This Is Nowhere (1969)
Everybody Knows … was Neil Young’s second foray into his solo career (ably backed by the legendary Crazy horse). His ramshackle guitar lines still prove that ‘technique’ isn’t everything – like the Cinnamon Girl solo (two notes throughout). Young is as accomplished (in his own inimitable way, of course) as he is esoteric on both acoustic and electric guitar. The Godfather of grunge? Oh yes, but so very, very, much more. HIGHLIGHT: Cinnamon Girl
10. The Velvet Underground / White Light, White Heat (1968)
There are some moments in rock history that are the stuff of legend. Like Lou Reed, Sterling Morrison, John Cale, and Maureen Tucker working on the sessions for White Light, White Heat. Tucker’s metronomic drum rhythms were combined with some of rock’s most inspired sonic experimentation. This six-track LP, including the ear-bleeding Sister Ray, is now the bible for alternative guitar. Simple as that. HIGHLIGHT: I Heard Her Call My Name
11. The Rolling Stones / Exile on Main Street (1972)
Recorded at the peak of the Stones’ most creative period, Exile On Main Street is a mammoth album and ranks as one of the best rock ‘n’ roll creations of all time. Exile … is at first glance a rambling collection of tracks, and was initially met with critical disdain for just this reason. But Richards was never to have a greater foil for his rhythm playing than Mick Taylor, who is on top form throughout this LP. Seminal. HIGHLIGHT: Happy
12. The stooges / The Stooges (1969)
Fronted by James Jewel Osterberg (better known as Iggy Pop), the Stooges were a groundbreaking band from the start. Their 1969 debut combined the raw energy of US garage punk with a leaner and more abrasive guitar style, courtesy of guitarist Ron Asheton. It was the sound that spawned punk and remains much-imitated. The Stooges themselves self-destructed in a tidal wave of drugs and booze in 1974. HIGHLIGHT: I Wanna Be Your Dog
13. Thin Lizzy / Live and Dangerous (1978)
With the classic twin-guitar tag team of Scott Gorham and Brian Robertson, Phil Lynott Recorded the greatest ‘live album of all time. Culled from the band’s 1976-77 tours, this Album is packed with flawless solos (check out Dancing In The Moonlight), breathtaking harmony lines, and the charismatic Lynott trick of preaching his brilliant lyrics while tearing UP his bass like a tornado. 70s rock at its best. HIGHLIGHT: Don’t Believe A Word
14. Oasis / Definitely Maybe (1994)
Oasis’ monstrous debut LP is a killer. Huge riffs, fantastic tunes, great songs – the feedback at the start of tracks like Columbia and Bring It On Down shows just what a thrown-together affair Definitely Maybe was. Noel Gallagher blazed out the solos, while Liam howled out doggerel about helicopters and gin and tonic in the background. As a debut, it set the Gallaghers up as the best British band for the next three years. HIGHLIGHT: Supersonic
15. The Police / Regatta De Blanc (1979)
Before Sting became a pioneer of the rainforests, he played bass alongside drummer Stewart Copeland and guitarist Andy Summers in The Police. Regatta de Blanc, their second LP, continued the promise of the first by fusing reggae rhythms with Summers’ sparse, Range, and delay-laden guitar. It also contains two of their best-known tracks, the mighty Message ln A Bottle and atmospheric Walking On The Moon. HIGHLIGHT: Message In A Bottle
16. Free / Fire and Water (1970)
Despite the fact that this album was largely successful on the back of All Right Now, the rest of the tracks are an altogether more laid-back collection. Paul Rodgers adds his velvet tones to a dry band mix which exposes evet)’ instrument. But it’s Paul Kossoff’s playing that makes this album a must-have. As well as an astonishingly mature tone (he was just 20 years old), he showed the musical restraint that typified the band. HIGHLIGHT: Fire And Water
17. Radiohead / The Bends (1994)
After Pablo Honey, their patchy and disappointing debut, The Bends was the album that really put Radiohead on the map. Their three-guitar attack of Singer Yorke and guitarists O’Brien and Greenwood were honed to perfection, while lead player Greenwood produced some of the most exciting sounds to come out of a guitar for the last ten years. Truly inspirational. HIGHLIGHT: Just
18. The Byrds / Mr. Tambourine Man (1965)
After hearing George Harrison’s Rickenbacker 12-string on Ticket To Ride, Roger McGuinn Formed the Byrds “with guitarists Gene Clark and David Crosby in 1965. Their debut album, including their most famous song (the Dylan rack of the title), took Harrison’s isolated musical phrase and turned it into a classic pop statement. HIGHLIGHT: I’ll Feel A Whole Lot Better
19. Joe Satriani / Surfing With The Allien (1987)
Full-tilt boogie to ambient bliss, tongue-in-cheek psycho-western to dire metallic adagio, cerebral cool to visceral hot.” That’s how Satriani described his music. Surfing … took instrumental rock guitar back into the charts and showed that melody and invention were as important as technical finesse. In so doing, he saved the genre from its worst indulgences and inspired a generation. HIGHLIGHT: Surfing with The Alien
20. Nirvana – Nevermind (1991)
Nirvana’s debut Bleach earned them the student audience, but it wasn’t until 1991’s Nevermind that the full extent of Cobain’s genius became apparent. The Pixies-pop of Smells Like Teen Spirit became the rock anthem of the ’90s, and Cobain’s guitar playing put the final nail in the coffin of hard rock – inspiring a new generation of garage talent. HIGHLIGHT: In Bloom
21. U2 – War (1983)
Kicking off with the military-style drumming of Sunday Bloody Sunday, U2’s War is an awesome album. Edge’s playing snaps between furious riffing and gentle ambient acoustic phrases. Both lyrically and musically it was a turning point in contemporary music. The Edge remembers it as a .. knuckle-duster in the face of the new pop.” And it was. Emotional, draining, and superb.
HIGHLIGHT: New Year’s Day
22. Sonic Youth – Bad Moon Rising (1984)
(!!I BAD MOON RISING (1984) Sonic Youth was always destined to be a force to be reckoned “with; Lee Renaldo and Thurston Moore’s discordant, chaotic guitar proved that energy and passion were at the core of their creativity. Bad Moon Rising was insanely different to the prevalent synth nonsense around in ’84. and is pivotal in proving that a three-chord trick is not the only way to create a great song.
HIGHLIGHT: Death Valley ’69
23. Deep Purple – Machine Head (1972)
Ritchie Blackmore, rock’s original moody guitarist, is responsible for bringing classical harmony into rock. His arpeggios and melodies inspired a generation of neoclassical shredders, from Rhoads to Ylalmsteen. But this album is famous for Smoke 011 The Water. Who would have thought that this four-chord figure would become the most played phrase ever? Ritchie single-handedly broadened the electric guitar’s vocabulary by 100%. And as for his use of the whammy-bar. .. HIGHLIGHT: Highway Star
24. The Who – Who’s Next (1971)
Initially conceived as a follow-up to 1969’s rock opera, Tommy, Who’s Next sees Pete Townshend leading his cohorts into a frenzied classic-packed LP – from the epic opener Baba O’Riley to the acoustic, piano-led Gelling In Tune. Consolidating on their earlier success, this album remains much imitated. Witness Townshend at his peak, as both a songwriter and a guitarist. HIGHLIGHT: Won’t Get Fooled Again
25. Santana – Abraxas (1984)
Although Carlos Santana has released over 25 albums since 1969, Abraxas, his second outing, remains his finest hour. His fusion of melodic guitar lines with ‘Afro-Latin’ polyrhythmic building was unique. As a guitar player, Carlos’ technique was marked by melodic judgment and a fluid sense of timing. The guitar sound (Les Paul through Fender Princeton) is still one of the most identifiable in the history of the electric guitar. This remains an essential album for any rock or jazz musician. HIGHLIGHT: Black Magic Woman